Publications, articles, interviews:

• Adela Goldbard: Aplausos, Confeti, Serpentinas y Flores. Clásico DMX, 07 Nov 2017
• Adela Goldbard x LITHIUM. Collective Terrain Magazine, 2018
• Artists in Focus: Boom Time. Christie´s Magazine, Sept-Oct 2017
• Cardoza, Kerry. ‘The Last Judgment’ brings catharsis to Little Village, Chicago Reader, September 24, 2019
• Castillo, Vera. The Image Warehouse: Literature and Photography in Adela Goldbard. Chulavista Magazine, 2014.
• Díaz, Beatriz. Adela Goldbard: Artefactos para la Permanencia. Vidrio Magazine, April 2020
• Diehl, Travis. Gallery Weekend CDMX. Art Agenda, Dec 07, 2017.
• Dorado, Efraín. The Last Judgment, South Side Weekly, October 1, 2019
• Egea, Eduardo. Sentimientos de la nación. La Crónica de Hoy, 25 Nov 2017
• González Flores, Laura. On the good practice of lending resources between the arts. Instituto Sinaloense de Cultura/Museo Arocena, Mexico (Culiacan/Torreon) , 2010, 72p.
• González Rueda, Ana S. and David A. J. Murrieta Flores. “Exhibition-Making as Storytelling. The 14^th FEMSA Biennial in Michoacán Mexico” Communities and Museums in the 21^st Century, Routledge, London, 2024 (in press)
• González Rueda, Ana S. “Adela Goldbard”, Burlington Contemporary, The Burlington Magazine, October 2022
• Guillen, Melinda. “Enacting Spatial Mythologies”, No Longer Extant, Seth Ferris, Adela Goldbard, Melinda Guillen and Lorena Gomez Mostajo (eds.) , Taller Salón, San Diego, 2015
• Hernández-Vargas, Saúl. Prototypes For An Upcoming Disaster: An Interview With Adela Goldbard. Tierra Adentro.
• Holderness, Peter. Artist Adela Goldbard and Her Crew Are Building a Mexican Landscape Just to Burn it Down. LA Weekley, June 29, 2017
• Huang, Jian. ‘A World of Laughter, A World of Fears’ at Pomona College. Viewfromaloft, 2017.
• Jaua, María Virginia. Adela Goldbard: A World of Laughter, A World of Fears, Utopia Magazine, Jan-Feb 2019
• Lezama, Leopoldo. “Adela Goldbard o el extrañamiento de la realidad”, Máquina, 17 julio, 2016
• McGrew, Rebecca. “Adela Goldbard: Destroying to Remember,” Prometheus 2017: Four Artists from Mexico Revisit Orozco. Pomona College Museum Art Press, 2017
• Ortega, Emmanuel. Sensorial Spectacles of Subjugation: Franciscan Autos Sacramentales in the work of Adela Goldbard Trad. The Pillow Books,The Last Judgement / El Juicio Final, Chicago, Gallery 400, 2023.
• Paul Miller, Dominic. “Fractural Encounters,” No Longer Extant, Lorena Gomez Mostajo et.al. (eds.), Taller Salón, San Diego, 2015
• Quiles, Daniel. Critics’ Pick: Adela Goldbard. ARTFORUM
• Rockett, Darcel. ‘What would Chicago be like with no jails?’: New SAIC exhibit challenges artists and Chicagoans to reimagine criminal justice. Chicago Tribune, Aug 05, 2019
• Rodríguez-Blanco, Sergio. The Last Judgement: destruction and disappropriation as aesthetic strategies of resistance. Trad. The Pillow Books, The Last Judgement / El Juicio Final, Chicago, Gallery 400, 2023.
• Ruiz, Iván. Docufricción. Prácticas artísticas en un México convulso. México: Instituto de Investigaciones Estéticas, UNAM, 2017, 133 pp., ils.
• Ruiz, Iván. “Lobo”, 80 Years of the Institute for Aesthetic Research, Pablo Amador, Óscar Flores (eds.), México: IIE-UNAM, 2017
• Ruiz, Iván. When the Margins Burn: Adela Goldbard at Casa del Lago Horizontal, November 2015.
• Sánchez, Luis Guillermo. ‘Collateral’ Damage Leaves Deeper Marks on Society: An Interview with Adela Goldbard. Alternópolis, 2013.
• Stevens, Stevie. Art and the End of Mass Incarceration. Fnewsmagazine, October 29, 2019
• Troconis, Irina. “Crisscrossed Times and Performing Remains in Adela Goldbard’s RINXUI (2019-2020),” Memory Studies Association Annual Conference, Newcastle, UK, 2023.

Videos / PODCASTS:

• Bla Bla Show TV. Adela Goldbard en entrevista con Nany Cardenas desde Chicago. 
• Centro de la Imagen / Newwer. Entrevista: Adela Goldbard sobre “La Ciudad de las Montañas”. 
• Fuera de la burbuja (Gatopardo). Arte y Rebelión: Carlos Amorales in conversation with Adela Goldbard and Colectivo Cheraní
• Laboratorio A/V. Adela Goldbard. Química Urbana.
• Latente by Claudia Arozqueta. Latente 17 – Adela Goldbard.
• LA Weekly. Mexican Artist Adela Goldbard Uses Fire as Catharsis. 
• Museógrafo TV. En el estudio de Adela Goldbard.
• Once TV. Artes – Adela Goldbard.
• Telemundo. Artista convierte sus obras en cenizas.

Exhibition texts:

• • Orozco, Luis. Fantasy Island
  • Palacios, Víctor. Paraallegories
  • Pedroza, Judith. Apropos of the Question “What is the Purpose of Art?”— A Simple Machine