Publications, articles, interviews:
- Sergio Rodríguez-Blanco. The Last Judgement: destruction and disappropriation as aesthetic strategies of resistance. Trad. The Pillow Books, The Last Judgement / El Juicio Final, Chicago, Gallery 400, 2021 (in process).
- Emmanuel Ortega. Sensorial Spectacles of Subjugation: Franciscan Autos Sacramentales in the work of Adela Goldbard Trad. The Pillow Books,The Last Judgement / El Juicio Final, Chicago, Gallery 400, 2021 (in process).
- Díaz, Beatriz. Adela Goldbard: Artefactos para la Permanencia. Vidrio Magazine, April 2020
- Quiles, Daniel. Critics’ Pick: Adela Goldbard. ARTFORUM
- Cardoza, Kerry. ‘The Last Judgment’ brings catharsis to Little Village, Chicago Reader, September 24, 2019
- Dorado, Efraín. The Last Judgment, South Side Weekly, October 1, 2019
- Rockett, Darcel. ‘What would Chicago be like with no jails?’: New SAIC exhibit challenges artists and Chicagoans to reimagine criminal justice. Chicago Tribune, Aug 05, 2019
- Stevens, Stevie. Art and the End of Mass Incarceration. Fnewsmagazine, October 29, 2019
- Jaua, María Virginia. Adela Goldbard: A World of Laughter, A World of Fears, Utopia Magazine, Jan-Feb 2019
- Adela Goldbard x LITHIUM. Collective Terrain Magazine, 2018
- Ruiz, Iván. Docufricción. Prácticas artísticas en un México convulso. México: Instituto de Investigaciones Estéticas, UNAM, 2017, 133 pp., ils.
- Huang, Jian. ‘A World of Laughter, A World of Fears’ at Pomona College. Viewfromaloft, 2017.
- Diehl, Travis. Gallery Weekend CDMX. Art Agenda, Dec 07, 2017.
- Egea , Eduardo. Sentimientos de la nación. La Crónica de Hoy, 25 Nov 2017
- Adela Goldbard: Aplausos, Confeti, Serpentinas y Flores. Clásico DMX, 07 Nov 2017
- Boom Time. Christie´s Magazine, Sept-Oct 2017
- Holderness, Peter. Artist Adela Goldbard and Her Crew Are Building a Mexican Landscape Just to Burn it Down. LA Weekley, June 29, 2017
- Castillo, Vera. The Image Warehouse: Literature and Photography in Adela Goldbard. Chulavista Magazine, 2014.
- González Flores, Laura. On the good practice of lending resources between the arts. Instituto Sinaloense de Cultura/Museo Arocena, Mexico (Culiacan/Torreon) , 2010, 72p.
- Guillen, Melinda. “Enacting Spatial Mythologies”, No Longer Extant, Seth Ferris, Adela Goldbard, Melinda Guillen and Lorena Gomez Mostajo (eds.) , Taller Salón, San Diego, 2015
- Hernández-Vargas, Saúl. Prototypes For An Upcoming Disaster: An Interview With Adela Goldbard. Tierra Adentro.
- Ruiz, Iván. “Lobo”, 80 Years of the Institute for Aesthetic Research, Pablo Amador, Óscar Flores (eds.), México: IIE-UNAM, 2017
- Ruiz, Iván. When the Margins Burn: Adela Goldbard at Casa del Lago Horizontal, November 2015.
- Sánchez, Luis Guillermo. ‘Collateral’ Damage Leaves Deeper Marks on Society: An Interview with Adela Goldbard. Alternópolis, 2013.
Videos:
- Telemundo. Artista convierte sus obras en cenizas.
- LA Weekly. Mexican Artist Adela Goldbard Uses Fire as Catharsis.
- Centro de la Imagen / Newwer. Entrevista: Adela Goldbard sobre “La Ciudad de las Montañas”.
- Bla Bla Show TV. Adela Goldbard en entrevista con Nany Cardenas desde Chicago.
- Museógrafo TV. En el estudio de Adela Goldbard.
- Laboratorio A/V. Adela Goldbard. Química Urbana.
- Once TV. Artes – Adela Goldbard.
Exhibition texts:
- Orozco, Luis. Fantasy Island
- Palacios, Víctor. Paraallegories
- Pedroza, Judith. Apropos of the Question “What is the Purpose of Art?”— A Simple Machine